![]() Even an anarchic character set probably has some common features. Sooner or later, you will probably have to make measurements. Will a framework interfere with creation? ¶ The double lines are for straight lines and curves that extend beyond them. Your framework will probably change as you go along. If you like numbers, Peter Karow’s book, Schriftstatistik, (URW Verlag, Hamburg 1992), is full of them. ![]() It goes both above and below the baseline. ![]() The Baskerville letter e is 14.3% higher than the x. Curve bulge ¶Ī curve needs to go beyond straight lines. This has remained unchanged in many digitized versions. The letter o includes an exit stroke that looks like a comma, and can look awkward at the end of a word. Mistral was issued in 1953 as a hot-metal typeface. Slightly separated lower-case characters show how the joins depend on exit strokes and entry lines that are all at the same height. It isn’t, but the discipline is well hidden. The design may look like a lucky accident. Mistral, Roger Excoffon’s remarkable script typeface, hasn’t even got a baseline. ![]() You’ll avoid tedious work adjusting them later. How long will your descenders be? What x-height do you want? What is the best ascender height, the cap height, and the accent height?ĭecide early how thin your hairlines will be. Will a framework interfere with creation?īriem’s notes on type design: Framework ¶ Making a grid now will save you trouble later ¶Įarly on, start thinking about a framework. Making a grid now will save you trouble later ![]() Two Minute Customizing Your Metrics Window Merging, Separating, Overlapping Shapes: Surgery Importing Settings and Shortcuts into FL 8Īvoid Mistakes By Following the Basic Vector Rules ![]()
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